I've just finished the second piece in a new tiki-themed series and I thought I'd post a bit of my process here on the blog.Read More
They named a bridge after me in Anger, Austria.
This coming weekend, April 18th-20th, I'll be in Anaheim California for Wondercon at the Anaheim Convention Center. Come find me in Artist Alley at table #AA117 for new prints, original tiny paintings, and high-fives.Read More
From the archives, I'm making available a few of my "Dead Meat" 18x24" screen prints. The prints feature a nice gold metallic ink on a thick bright-white art paper. Each print comes signed and mailed rolled in a tube via USPS Priority Mail ($5 flat rate shipping within the US. $10 Internationally). At 18x24" with plenty of room on the edges, these are ready to pop into a store-bought frame, no mat required.
April 18-20, Anaheim CA
Wondercon Anaheim '14
Anaheim Convention Center
Artist Alley Table AA117
If you're in Seattle March 28th-30th, come to Emerald City Comic Con. I'll be exhibiting my artwork at table 1318 on the main floor. I have all kinds of new work to show you. A few weeks after that I'll be near Disneyland in Anaheim, appearing at Wondercon! Find me in Artist Alley at table AA117.
BONUS- Here's a Flickr collection of various conventions and art show sets throughout the years.
My client is a robotics company. "ROS" is an their open-source robot programming language and their mascot is a turtle. So, almost all of the designs that I make for them involve turtles. This time, they needed a shirt to commemorate a trip to Hong Kong. They want to call it "ROS Kong 2014". And initially they wanted to see some ideas incorporating King Kong and the Hong Kong skyline. That sounded interesting to me, so I got started.
Taking the "King Kong" direction, I sketched out a few ideas that might incorporate ROS. The first has him swatting drone helicopters (a popular use of the ROS software). The second plays on the size of King Kong against the scale of the ROS turtle mascot. The third features a gigantic turtle shaking hands with King Kong over the Hong Kong skyline.
The client had second thoughts about the whole King Kong direction. They felt that maybe King Kong is too centric to New York City. But, they liked the tiny boat that I included in the foreground of the third sketch, and suggested that I might rework the design to focus on that. So, back to the drawing board I went.
The Revised Concept
The new idea would be to have a traditional Chinese sailboat balanced atop a turtle in the Hong Kong harbor. It was also decided that a dark colored shirt would be preferred. This led me to start thinking of what colors would look good on dark grey or black. With the concept signed off on, it was time to get down to really drawing.
I immediately started looking for solid reference for the boat. I knew that I wanted the turtle to be more simple and cartoony, so I didn't need too much reference with that. Originally, I was going to have drone helicopters flying around the boat but, in the end, that just seemed too busy with everything else. After I had a solid sketch figured out on the computer ( I use Sketchbook Pro on my Mac), I printed out the sketch on a big piece of paper. I used a lightbox to transfer the sketch to bristol board. Then it was time to ink.
Ink on Paper
I like drawing in ink on bristol board. It's holds ink really nice and it's more affordable than illustration board. I use a round-tip sable brush and india ink for most of the work and then touch up the rest with pens and markers. Really, I'm just looking for the best tool for whatever detail I'm working on. For this design, I'm not too worried about the different colors of black ink or the archival properties of the surface. All of this is production art for the final t-shirt design.
Into the Computer
My ink work was too big for one pass on the scanner, so I pieced together multiple scans in Photoshop and saved it as one jpg image. Then, I used an app called CocoaPotrace to convert the line art into vector shapes. I use CocoaPotrace instead of Illustrator's LiveTrace feature because it tends to have better results that are closer to the original artwork with fewer bezier nodes.
After I vectorized the initial ink work, I was able to bring it into Adobe Illustrator and start planning the solid black areas. It had already been decided that this image would appear on a dark colored t-shirt, so that helped me determine the balance of black and white. I added a semi-circlular shape to the background to help define lines of the turtle and boat, and then I reversed out the hull of the boat, making it black with white lines. Illustrator makes this kind of thing a lot easier than working on paper. Next, it was time to think about adding another color and text.
At this stage, I've figured out the right balance between the black/grey. white, and orange. A simple skyline has been added to help place this scene in Hong Kong. I also decided that the text would fit well inside the center sail, as opposed to along the bottom. In the past, I would continue to add detail in Illustrator, using the Pen tool to add more lines and sculpt other areas of the image. Lately though, I've been using a new bitmap-based program to finish what I started in Adobe Illustrator. It's called Manga Studio 5.
Finishing the Art in Manga Studio
Manga Studio is a drawing program sort of like Photoshop and Painter, but it has really great drawing-specific tools and I think it's a great bridge between vector art and pixel art. I used a Wacom tablet to draw in details like reflections, turtle scales, highlights, etc. I also made a pass to fill in any weird gaps or loose lines. After everything was polished, I saved the art out as a high resolution (600dpi) tiff file.
Sign-off and Delivery
I sent an email to the client with a low-res jpg of the work along with a mock-up of the design on a suggested shirt style/color. They seemed pleased with the way that it came off and decided to go forward to production without revision. My normal flow usually includes room for a change or two, but it was great that they liked it "as is". I used DropBox to send a high resolution tiff file to their printer.
I hope that you got something out this description of my process. For me, this was a pretty straight-forward job compared to many others but it had it's curveballs. I'm trying to change up my routine to incorporate more hand drawn elements in and out of the computer. It was also a nice challenge to work in two colors in a dark t-shirt. I like the limitation of that and I think I'll do more of that in my personal work.
More posts soon!
Well, that was fast! It's dark around 5pm now and all I crave is fudge and spiced wine. That can only mean that it's December again, which also means it's time for my annual Year in Review! 2013 was a big one, filled with travel and art. I met many of you this year, and I hope to stay in touch with you going into 2014.
Here's a link to a Flickr set with some of my favorite moments of 2013. Listed below are some highlights.
I turned 36 in January, which is only crazy in that I remember when my mom turned 36, because I was graduating high-school! So, drinking happened. I finished off my run of 200 Slimer whiteboard drawings, met a real-life astronaut while tabling Emerald City Comic Con and exhibited at a tarot card themed show in San Francisco.
Spring and Summer was a big deal! I spent a month in Europe, showing artwork in Monochrom's 20th Anniversary show and creating a mural in the Austrian countryside. It was an incredible experience. Here are some Vine videos from the trip. I started a temp job when I got back and developed an obsession with the San Francisco F-Line train.
I found my true calling as a pigeon, nerded out with my new button machine, and also managed a trip back to Michigan to spend some time with family. Time was spent at diners and bowling alleys. My artwork was also part of the Laughing Squid Quarterly mailing, which was really cool.
This Fall I exhibited at APE and Barbot in San Francisco, and then Comikaze Expo and DesignerCon in LA. I met a lot of great people and reconnected with old friends. I also started a series of drunk Twitter bird paintings and sketches that I'm calling "Drunktweets". Maybe you've heard of them.
Here Comes 2014!
Right, so Christmas is soon and I'll be flying back to Michigan to be with the Ellingson clan. We go kind of nuts for Christmas and I'm looking forward to that. Then, it's my birthday again and more drinking. But look out for more posts about art events soon! I'll be exhibiting at Emerald City Comic Con in Seattle and Wondercon in LA. Beyond that, it's a magical mystery. I'm sure I'll obsess more over the F-Line, art will be made, food will be burnt. Please stay in touch. Follow me on Instagram, Twitter, and the Facebook.
As always, prints of my artwork art available for sale at my website here:
Handmade things like the Drunktweets and buttons are available on Etsy here:
Use the code YEAREND13 for 20% any purchase through December 31st 2013
(works for both Etsy stuff and my prints.)
*Due to travel, all orders will ship after January 6th, 2014
This weekend I'll be in LA for Stan Lee's Comikaze Expo at the Downtown Los Angeles Convention Center. Come find me in Artist Alley at table #AA833. The following weekend I'll be back in Los Angeles for DesignerCon at the Pasadena Convention Center. Look for my giant octopus banner. I'll have lots of new prints and some tiny drunk bird paintings for sale. Hope to see you there!